Vikram is a happy-go-lucky management student from a top Business School of India. He becomes an overnight sensation after a successful internet campaign against the radical fundamentalism of moral policing in India. This prompts his university teacher - Professor Ranjan Batki, to throw him a challenge for yet another internet campaign that would help raise money via a non-profit Pottery Club for poor people living in Maoists areas of India. Little does Vikram know that he is about to become a part of a plot that would risk his life and the nation. He gets entangled between two corrupt facets of India - Socialism and Capitalism, both of which are deeply rooted in India. It's a story inspired from true life incidents of Underbelly India.

In this entertaining Puppetoon animated short film, a young boy, Jasper, gets trapped inside a pawnshop at midnight. All the musical instruments come to life and play jazz. A whooping wooden Indian chief self-animates as well, and goes on the warpath.

Police Chief Jim Murphy, in a crime-ridden city, deputizes newspaper-reporter Sam Wire, to work as an undercover operative to rid the town of the gangster element. Sam taunts and tricks the two leading gangsters, a mob girl, 'Silk" Cantrell, and a bribe-taking police official, into setting ambushes and death-traps for him, which backfire on them, and achieve his assignment directive.

Starring: Corey Duffel, Jeremiah Babb, Steve Nesser, Greg Lutzka, Josh Falk &Omar Salazar. Featuring: Tony Trujillo, Neil Heddings, Paul Rodriguez, Ethan Fowler, Peter Hewitt, Chet Childress, Danny Wainright, Jake Nunn, Rodney Jones, Daniel Shimizu, Anthony Shetler, & many more.

n the Jam Jar is an invitation to the intimacy of 81-year-old Joan’s final days, whose musings silently echo with Dan’s, her 50-year-old son. This fiction short-movie is a dive into death and grief, a tribute to maternal love comprised of nail clippings, aquarelle, strawberry jam and a ghost radar.

Traffic is a three-part miniseries broadcast on the USA Network from January 26–28, 2004. Produced by Graham King, the series is a continuation of Steven Soderbergh's Academy Award-winning 2000 crime film of the same name, itself adapted from the 1989 Channel 4 six-episode serial Traffik.A look into the world of trafficking, where drugs, weapons, and even people are traded all over the world. Here, the lives of three Seattle-based men become intertwined — until they're all in over their heads.

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Two women navigate the challenges of life on a wintry day in 1980s Belfast. While Ruby has a cold and gets caught in the rain, Iris is job-hunting but feels lost in the traffic.

With Jam, the TV follow-up to his Radio 1 series Blue Jam, Chris Morris focuses more on unease more than the satire of Brass Eye. Indeed, it's a moot point whether Jam can actually be categorised as comedy at all. Each sketch is steeped in a heavy brine of dark, ambient music (including Bark Psychosis, David Sylvian and Brian Eno), grainy imagery, fast-cut editing and slo-motion. Its mirthless, Kafka-esque scenarios feel like an attempt to morph into some new species of post-comedy that is more like the stuff of nightmares. The credits, in which Morris stalks the moving camera, uttering Lear-esque words of foreboding immediately announce that this "sketch show" is a galaxy apart from The Two Ronnies. The appalled look on actor Kevin Eldon's face in the opening sketch of the series, as a young couple invite him to endure being buggered by a mutual acquaintance ("I need a break"), sets the tone. Rape, chemotherapy, wanton urination--as a naked "Robert Kilroy-Silk" goes insane in a sketch full of detestation for the oleaginous TV presenter--and recurring sketches involving callously authoritarian NHS doctors, all go to make up these annals of the bizarre and perverse. Ultimately, Jam doesn't quite work, not on TV anyway. The repetition of the same, small cast over and over, broken up too briefly by Morris' own appearances (as a "country gentleman" living outside his house, for instance), coupled with the gruelling treatment of the sketch material makes for a psyche-probing, jaw-dropping experience--but in parts also a nullifying and strangely predictable one. Morris's "failures" are far more interesting than most people's successes. --David Stubbs

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